Best. Episode. Ever. (Round 26)

Round 26: 4F08 vs. 9F16. / Bracket. / All rounds.

4F08: “The Twisted World of Marge Simpson” (Season 8 / January 19, 1997)
Written by Jennifer Crittenden
Directed by Chuck Sheetz
Showrunners: Bill Oakley & Josh Weinstein

4F08

The best thing about this episode is obviously the guest appearance by Jack Lemmon. Thank God the show got to him early enough (in two ways: before his death and also before the time most celebrities doing the Simpsons just get to play themselves in a cameo that serves little to no story purposes).

Other favorite moments here are Marge setting up her business with the family happily helping her (the ticker tape parade!) and pretty much every single scene between Homer and Fat Tony. The ending is pretty absurd, but that’s okay.

  • - “Homer, did you tell the Mafia they could eliminate my competitors with savage beatings and attempted murder?”
    - “In those words? Yes.”

9F16: “The Front” (Season 4 / April 15, 1993)
Written by Adam I. Lapidus
Directed by Rich Moore
Showrunners: Al Jean & Mike Reiss

9F16

Left to right: John Swartzwelder, George Meyer, Jeff Martin, Al Jean, Mike Reiss

A weird thing is happening as I watch episodes of season 4, which I always named the show’s best, as part of this tournament. I know they are great. I have watched them countless times, listened to the commentaries repeatedly. Yet, somehow, when it comes to comparing them to other episodes, they underwhelm.

A lot of it has to do with the non-sequitur cut-aways and one-off jokes. Long before Seth MacFarlane made a living with these they were a welcome addition to “The Simpsons,” and most of them are still very funny and memorable, but they are not (in my opinion) the show at its best.

  • All that said, there are still many great moments here. The Itchy & Scratchy cartoons are all very good, Roger Meyers, Jr. (sadly not voiced by Alex Rocco in this episode) is fun, as are the jabs at the Simpsons’ writers, which of course get enhanced a thousand-fold when you “know” them through the commentaries.
  • - “Cartoons have writers?”
    - “Eh, sort of.”

The winner: 9F16: “The Front.”

Best. Episode. Ever. (Round 25)

Round 25: 9F01 vs. 5F17. / Bracket. / All rounds.

9F01: “Homer the Heretic” (Season 4 / October 8, 1992)
Written by George Meyer
Directed by Jim Reardon
Showrunners: Al Jean & Mike Reiss

9F01

A beautiful, smart episode, featuring a happy, relatable Homer, great jokes, just the right amount of absurd humor, and a “lesson” that is fun, ambiguous and never preachy.

  • Similar to what happened in “Weekend at Burnsie’s,” Homer has animals land on his shoulders and treat him as their master. But here it is actually funny. And no one gets their eyes pecked out.
  • Nice car chase scene, animation and music are just right.
  • All-time great “Itchy & Scratchy.”
  • “Coming up next: Make Your Own Ladder.”

5F17: “Lost Our Lisa” (Season 9 / May 10, 1998)
Written by Brian Scully
Directed by Pete Michaels
Showrunner: Mike Scully

5F17

I don’t know why exactly this is, but I enjoy few things more in life than the sight of fathers spending quality time with their daughters. I don’t have a daughter nor am I one, but it just stirs something up inside me and I get all emotional. Many of the Simpsons moments I hold most dear are ones between Homer and Lisa, and we get a handful of beautiful examples in this episode.

Another reason to love “Lost Our Lisa” are the many great observations of being a kid, from super glue accidents to riding the city bus for the first time. Nancy and especially Yeardley are perfect as Bart and Lisa, they bring so much emotion to their performances.

And there’s Homer, of course, happy, adventurous, wise (in his own way) and most of all proud of (and concerned for) his daughter. It’s just wonderful, and a far cry from the angry, careless Homer we get to see these days.

But it’s not all emotion, the episode is actually very funny, too. I imagine I’ll get into some of my favorite quotes when we see “Lost Our Lisa” again in the next phase of the tournament, because…

The winner is: 5F17: “Lost Our Lisa.”

Best. Episode. Ever. (Round 24)

Round 24: 7F01 vs. 1F09. / Bracket. / All rounds.

7F01: “Two Cars in Every Garage and Three Eyes on Every Fish
(Season 2 / November 1, 1990)
Written by Sam Simon & John Swartzwelder
Directed by Wes Archer
Showrunners: James L. Brooks, Matt Groening, Sam Simon

7F01

It is, in fact, not true than you can recreate the movie Citizen Kane entirely from clips of The Simpsons, but you can get pretty close, and this episode will certainly get you part of the way there.

Not much to say about this one. The voices and character models make it look a bit dated, which can be expected from a 23 year old cartoon. That episodes from just a year later don’t look dated at all – now that’s amazing.


1F09: “Homer the Vigilante” (Season 5 / January 6, 1994)
Written by John Swartzwelder
Directed by Jim Reardon
Showrunner: David Mirkin

1F09

I love all the references and absurd jokes, but they kinda get in the way of the story, which is very thin. As with anything from the Mirkin years it’s a high quality production, the animation and the score are beautiful. But it’s just not an episode I hold particularly dear.

The winner: 1F09: “Homer the Vigilante.”

Best. Episode. Ever. (Round 23)

Round 23: 7F03 vs. DABF11. / Bracket. / All rounds.

7F03: “Bart Gets an F” (Season 2 / October 11, 1990)
Written by David M. Stern
Directed by David Silverman
Showrunners: James L. Brooks, Matt Groening, Sam Simon

7F03

The guys from Robot Chicken did a Simpsons couch gag for the current season, and there’s a two part making of video on YouTube. In it, they talk about recreating the look of The Simpsons, which they describe as “two-dimensional,” “flat,” and “even lit.”

And I guess that is what the show looks like these days. But it didn’t use to be that way. In the early years, The Simpsons was beautifully animated, full of cinematic angles, elegant lighting and shadows.

And so it is in “Bart Gets an F,” a sweet and funny episode from a point in the series where they were still figuring out a few of the characters, but all the great stuff is clearly there.

  • How great is Marcia Wallace?
  • I asked David Silverman if the step-dancing giant gorilla Homer watched on TV would eve make a return to the show. Here’s his response.
  • Commentary trivia: Matt reveals why the Simpsons are called the Simpsons: Because they are “Simpletons.” Now you know.

DABF11: “Weekend at Burnsie’s” (Season 13 / April 7, 2002)
Written by Jon Vitti
Directed by Michael Marcantel
Showrunner: Al Jean

DABF11

Sigh. Another episode of Family Guy disguised as The Simpsons.

When early Simpsons writers like Conan O’Brien started to introduce more one-off jokes and sight gags that were less and less grounded in reality, Mattt Groening coined the term “rubber-band reality.” Yes, things could get wacky, but the show would always land back on firm ground.

By the point “Weekend at Burnsie’s” aired, that rubber band had snapped. Here Homer is ordering crows around to bring him beer and food, characters and props appear out of thin air when they’re needed, Smithers makes an unconscious Burns dance as a marionette.

The script is all over the place yet goes nowhere. Characters are strung around like lifeless puppets for the sake of a few cheap laughs – and I’m not even talking about Burns. It’s lazy. It’s lifeless. It’s out of this tournament.

The winner: 7F03: “Bart Gets an F.”

Best. Episode. Ever. (Round 22)

Round 22: BABF11 vs. 3F15. / Bracket. / All rounds.

BABF11: “Missionary: Impossible” (Season 11 / February 20, 2000)
Written by Ron Hauge
Directed by Steven Dean Moore
Showrunner: Mike Scully

You and me both, Marge. You and me both.

You and me both, Marge. You and me both.

I didn’t see this one when it aired on TV, only later when the 11th season came out on DVD. Watched it once, watched the commentary once, forgot about it. If not for this tournament I could have lived a long and happy life without ever thinking of or watching it again.

But here we are. I can forgive a lot. Plot holes, laser-shooting Teletubbies, an ending that should be the textbook definition of the word “lazy.” But what I won’t forgive is just not being funny. I laughed once. I sighed many times.

  • Good couch gag. Reminds me of Paris.
  • Is that PBS guy supposed to be some cheap Troy McLure knock-off?
  • This is another episode where you can just switch out Homer for Peter Griffin, Bart for Brian, Marge for Lois and so on. “Family Guy” can be entertaining, but it’s also very forgettable. If an episode of “The Simpsons” is indistinguishable from one of “Family Guy,” it has no place in this tournament.

3F15: “A Fish Called Selma” (Season 7 / March 24, 1996)
Written by Jack Barth
Directed by Mark Kirkland
Showrunners: Bill Oakley & Josh Weinstein

"I can't remember when I've heard a funnier anecdote. Okay, now you tell one."

“I can’t remember when I’ve heard a funnier anecdote. Okay, now you tell one.”

Phil Hartman at his very best, plus great performances from Julie Kavner and Jeff Goldblum. You know all the great bits and don’t need me to remind you.

In stark contrast to the episode above, this one has an actual story, with emotion, an arc, conflict and resolution. It also has a dozen quotable lines, great jokes, and a perfect musical number that has rightly found its place in pop culture history.

The clear winner: 3F15: “A Fish Called Selma.”

Saul Bass Google Doodle

Usually when I stumble across something great on the Internet these days I’ll just post the link on Twitter (and maybe Facebook), but this one is so awesome that it deserves to be archived with all the other ultra-important things on this weblog.

It would have been Saul Bass‘ 93rd birthday today, and Google is celebrating with a very cool doodle and video:


 
Beautiful!

Best. Episode. Ever. (Round 21)

Round 21: BABF01 vs. 5F22. / Bracket. / All rounds.

BABF01: “Treehouse of Horror X” (Season 11 / October 31, 1999)
Written by Donick Cary, Tim Long, Ron Hauge
Directed by Pete Michels
Showrunner: Mike Scully

BABF01

Loooong before YouTube, BitTorrent, eMule, Netflix, Hulu and other, spattered-on-the-spectrum-of-legality ways to enjoy TV shows on your computer, there was Cletus’ Farm (http://cletus.free.fr/, don’t bother, the link’s long dead, but you can relive the glorious flashstravaganza here), a website dedicated to offer Real Media (remember?) copies of new Simpsons episodes to fans who, like me, had no other way to watch them except a year later and dubbed into horrible, awful German.

As an avid reader and poster of the newsgroup (remember?) de.rec.tv.simpsons, I got wind of Cletus’ Farm in late 1999 and, in what must have taken my trusted 56k-modem the whole night, downloaded “Treehouse of Horror X.”

It wasn’t the first time I watched the show in its original language, but it was the beginning of the end of me watching The Simpsons – dubbed – on German TV, a thing that definitely stopped once the DVD sets started to arrive in 2001.

So what was the first thing I did after watching ToHX? Why, post a raving “review” to the newsgroup, of course. (It’s here, in German, and maybe the worst thing I or anyone has ever written, for so, so many reasons. Sometimes when I feel down I go back and read it to remind me of just how far I’ve come as a human being.)

The Usenet responded to my detailed plot summary by reminding me what an asshole I was for spoiling an episode that hadn’t even aired on local TV yet. I felt horrible. It was a whole big thing. Also I was 17 and spent most of my time talking to strangers online. As opposed to today, where I’m 30 and spend most of my time talking to friends and strangers online. Big step up.

But let’s talk about the episode. I didn’t think it was as hilarious as I did when I first watched it, but it’s not all that bad, either. The first segment has some nice staging going for it, but I didn’t laugh once. I quite like “Desperately Xeeking Xena,” it’s a fun Bart & Lisa story with a well used guest star and some good jokes. The third segment offers the funniest bit of the episode, when the guard tells Lisa she is only allowed to take one parent with her, and she, without missing a beat, opts for “Mom.” Perfect timing on that one.

Other random trivia and thoughts:

  • Comic Book Guy says his Star Trek phaser was fired only once, “to keep William Shatner from making another album.” Shatner did make two more after that, and 2004′s “Has Been” is actually pretty great.
  • One of the names CBG offers Lucy Lawless to call him on their wedding night is “Mister Mxyzptlk,” who “can be stopped only by tricking him into saying or spelling his own name backwards,” as I’ve learned listening to this great episode of the Judge John Hodgman podcast.

5F22: “Bart the Mother” (Season 10 / September 27, 1998)
Written by David S. Cohen
Directed by Steven Dean Moore
Showrunner: Mike Scully

5F22

The last episode to feature Phil Hartman, the last full episode to be written by David S. Cohen. Two great losses for the show, which was already getting into some bad habits, best exhibited by Homer getting repeatedly and violently hit by baseballs.

Now, Homer has suffered through painful ordeals for as long as the show has been on the air (just take this hilarious moment from the third season’s “Lisa’s Pony”), but the baseballs scene and similar ones that would follow are just… not… that funny to me.

It’s a weird thing though. On paper, Homer getting hit by baseballs is no more gruesome than Homer repeatedly falling down Springfield Gorge, and while that scene does bother me, a little bit – did there have to be blood? – it doesn’t feel as gratuitous. (The sad, sad low point of the series in this regard, which you won’t find in this tournament, is when Homer is raped by a panda. Funny!)

“Bart the Mother” has more to offer than that one scene, of course, and most of it is actually quite good. (Although, as with many of the episodes made around this time, I laughed a lot more listening to the audio commentary than during the actual show.)

The winner: 5F22: “Bart the Mother”.