Best Shot: Ieri, oggi, domani (Part 2)

Following Adelina, the second story in “Yesterday, Today and Tomorrow” is the Milan-set Anna. It’s the shortest of the three, and the camera is locked in on Mastroianni and Loren in the car most of the time, so there aren’t as many memorable shots as in the other installments. I love the way Anna looks at Renzo, seen above, but my favorite shot focuses, once again, on Marcello Mastroianni:

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Part 3 coming up!

2 thoughts on “Best Shot: Ieri, oggi, domani (Part 2)

  1. Pingback: Best Shot: Ieri, oggi, domani (Part 3) | Nebel without a cause

  2. Pingback: My Week on Letterboxd (13/2015) | Nebel without a cause

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